I began working with ceramics while attending St. Mark's in Dallas, Texas. A period of time spent in Spain led me to study at La Universidad de Complutense in Madrid.

When beginning a work I always start with an idea, but have learned to allow for the natural qualities of the process to determine the final result. Each piece begins with a sketch to determine the size, shape and proportions I attempt to achieve. These specifications influence the amount and type of clay I will wedge in preparation for the wheel.

After the piece is thrown, and glass is inlaid - if applicable, the drying process

ensues for a a day or two depending on the humidity of the air. Once the clay obtains a consistency of leather the piece is trimmed and then allowed to slowly and completely dry before being placed in an electric kiln. The bisque firing exposes the clay to temperatures surpassing 1900° Fahrenheit over a period of 48 hours. During the bisque firing the clay loses its porosity and glazes can now be applied. The glaze firing that occurs in a raku kiln exposes the piece to temperatures over 1800° Fahrenheit in less than an hour.

No two pieces are alike. Due to the elaborate process every piece retains their own unique aspects.